Birdman Eating and The Royston Reviewed by the The Age

I got my hair cut at Dr Follicles today, and had a coffee from Birdman Eating, which I have earlier written about.  The Bird Man has got his liquor licence up and running nicely, and has a drinks and tapas thing happening of an evening — though he was kind of distancing himself from the ‘tapas’ concept (despite the menu saying ‘Evening Tapas’) in favour of the small meals to share concept. You can have green beans for $7.50, zucchini and fetta fritters for $8, grilled ox tongue with beetroot, capers and horseradish for $11.50, shanks for $14.50, crispy duck for $16.50 or go the hack with a sliced hunk of steak covered with a piquant salsa for $28.50.  This guy’s saucy: I love the attitude associated with ‘Black pudding with eggplant kusundi and leek croquettes.’ I’m going there for drinks one night, because he’s also dishing up Milawa Gold Washed Rind cheese with apple jelly, and hot cinnamon doughnuts with chocolate sauce.  My coffee was truly memorably good, which either means Matt Preston, who also gave the Bird Man a great review in today’s Age, was wrong, or the Bird Man has taken the critcism to heart.

And, just a week ago, Dani Valent reviewed The Royston in The Age, which I have also earlier posted about, and which is also a place I want to go for dinner. If only I had the time.

Cavallero, Birdman Eating, Lentil as Anything reviewed; Beer haiku

Reviewing is a difficult art. There are certain constrained forms I particularly like. The obituary. The chess column. The restaurant review. All so constrained by the necessaries, requiring clever use of what little room there is for the decorations. The English tend to do them best. Zia Mahmoud does the most with the least with The Guardian‘s bridge column. Haiku fascinates me. The very word puts me on edge. I hate haiku about as much as shakuhachi music, but at the same time I love it about as much as a good egg breakfast, a short speech, photos of Japanese taking photos of cherry blossoms with unbelievably expensive cameras (snap thanks to a great photographer, Mark Alberding), and the way sacred cows get in the way of traffic in New Delhi. Short is good. Less is more. Small is beautiful. Metre is a useful discipline for the poet’s natural tendency to ungrammatical excess. Some of the most elegant writing going around today is to be found on this website. I particularly like: Continue reading “Cavallero, Birdman Eating, Lentil as Anything reviewed; Beer haiku”

Dante’s Maria buys Glasshouse

Gertrude St is my preferred east-west bike artery into the heart of the city, but from time to time I find myself wandering along Gipps St, one block north. It boasts the Laird O’Cockpen Hotel which in my imagination might conceivably be the place that erotic poet and Liberal parliamentarian Bruce Atkinson visited out of professional obligation, as well as Nicholas Dattner‘s emporium of super expensive wooden tables (did you know his old man was a British spy on whom Trevor Howard’s character was based in the 1949 zither music-rich The Third Man, one of the most famous films of all time?). It also sports the Glasshouse Hotel. I thought it was standing vacant, but I found out a year or so ago it was doing a roaring lesbian trade on certain evenings, and always had done. Now I find Maria from Dante’s in Gertrude St has bought the place. A little online pamphlet named Same Same says of the development: Continue reading “Dante’s Maria buys Glasshouse”